promoters in phoenix
#1
Posted 10 April 2006 - 09:47 AM
#2
Posted 10 April 2006 - 10:31 AM
It's pretty much par for the course, I will even admit to not getting back to bands, it just gets too overwhelming at times to respond to EVERY band. Maybe that's horrible of me but, I liken it to guys picking up on girls at a bar, if the girl doesn't respond back, it generally means the guy isn't what the girl is looking for in a guy. Better yet, it's like applying for a job, which essentially is what a band is doing when they want to play a particular show, most employers don't respond to every applicant that applies just to let them know they don't have the job. There are always exceptions to every rule, but saying a promoter is not getting back to you probably means, they already have another band(s) in mind or they do not think you will be the right fit for the job.
EDIT: you changed your post, after I wrote this, but what I say still holds true.
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#3
Posted 10 April 2006 - 10:45 AM
i'm waiting to hear back from, nevermind the random strangers i've contacted.
does my band suck? it's likely, but it's probably more that there are 1,000,000,000,000,000,
000,000,000,000,000,0000,000,00000,0000000000000,00000000000,000000000,000000,
00000000,000,00000000000000,00000000000000000,00000000000,00000000,
00000000000000000000,00000000000000,0000000000000000000000000000000000000,
0000000000000000000000000,000000000 bands out there looking for the same thing. it can get
a little depressing. but it just makes it all the more rad when things work out.
#4
Posted 10 April 2006 - 10:47 AM
#5
Posted 10 April 2006 - 11:40 AM
I try to book shows, I don't know who you have to kill to get a show anywhere nowadays. I think it is getting harder everywhere, not just in Phoenix. It's like pulling teeth to get even a weekday show up here. I am working on getting a show for Fatigo in Seattle, and it is bloody frustrating. no one is responding at all. It absolutely sucks.
maybe they are all too busy on myspace.
#6
Posted 10 April 2006 - 11:55 AM
#7
Posted 10 April 2006 - 12:05 PM
I agree that phoenix is way easier to book in. Not only because I know people, but it was easier from the start. Even when I was like 16 , I could get shows. It couldn't have been THAT hard.
#8
Posted 10 April 2006 - 12:16 PM
#9
Posted 10 April 2006 - 12:42 PM
Knight's Wake
https://knightswake....mp.com/releases
And other stuff:
http://jamesmileshq.bandcamp.com/
Record label: https://www.facebook.com/soursymphony
#10
Posted 10 April 2006 - 01:55 PM
I am working on getting a show for Fatigo in Seattle, and it is bloody frustrating
i tried for a long time to set something up in seattle when we went up there last year. the sunset tavern was one of the few places that responded to me, but they were booked out forever. i actually wound up booking us at a place called mr. spot's chai house. just a tiny coffee/tea place in ballard. i think the guy there was named victor - anyway, they were totally receptive to having an unknown band from out of town play there. the downside: it was a free show, so we only made money from selling CD's. and we got a shitload of free tea. normally the $$ isn't an issue, but when you have to pay for your way on tour, well, it kind of sucks.
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#11
Posted 10 April 2006 - 01:58 PM
#12
Posted 10 April 2006 - 02:20 PM
hahaha... no shit....meh don't worry, eventually everyone will do webcasts from their basements...
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#13
Posted 10 April 2006 - 02:28 PM
#14
Posted 10 April 2006 - 03:36 PM
#15
Posted 10 April 2006 - 03:38 PM
Yeah, Kwab @ the sunset is really easy to work with compared to some of the other clubs. That Chai place is awesome, but their chai is just a little too spicy, they put black pepper in it. crazy.the sunset tavern was one of the few places that responded to me, but they were booked out forever. i actually wound up booking us at a place called mr. spot's chai house. just a tiny coffee/tea place in ballard. i think the guy there was named victor - anyway, they were totally receptive to having an unknown band from out of town play there. the downside: it was a free show, so we only made money from selling CD's. a
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