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What can Phoenix do?


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#46 bob

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Posted 22 November 2005 - 10:58 AM

minardi, as always, is right.

when i don't know what to do, i just listen to the big boys. they give pretty good advice about this kind of stuff.
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#47 mothrock

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Posted 22 November 2005 - 11:31 AM

I always tell good touring acts that I see about phoenix. I also ALWAYS mention this site.

The main reason I left phoenix was due to the heat. I just couldn't take it anymore. Nothing about the place really bugs me. There are shitty suburbs around every "cool" city, that's just a fact of life.

the music there / scene definently doesn't suck. It could be a lot worse!
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#48 chadk

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Posted 22 November 2005 - 11:37 AM

after 5 years of the no ac only broken swamp cooler farmer house summers, i can handle anything.
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All the time when I tell people what I do they say, "Oh I don't understand art, I can't even draw." (or worse, "I only like art I can understand.") Well, ya know what, I don't know how to make a car, but I sure appreciate being able to drive one.

-trunkspace

#49 donald

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Posted 22 November 2005 - 12:10 PM

very true

one good thing I never have to worry about is a show being cancelled cause it got snowed out :)
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#50 JRC

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Posted 22 November 2005 - 04:33 PM

I think PHX is a great place. I moved here 5 years ago specifically because I wanted to be part of this community.

I'm from Buffalo NY where it is FREEZING cold about 4 months out of the year, no one goes out for those 4 months. Do you have any idea how hard it is to keep momentum going with an enforced break like that? Impossible. Really you have no idea how much I love it here.

One thing I've figured out (and had to relearn over and over again) is that if you get self-conscious about the art you make (be it music, paintings, djing, or whatever) you'll start making bad art. Do it because you want, and because you believe in it. It might be cliche, but its the surest way to keep being vital and make strong work, you'll also be more invested and stay interested. Your dedication will also show, and hopefully excite people about what you're doing. (I know of what I speak, I used to perform & stage performance art around town, and my 'team' managed to have sell out crowds at more then 65% of our shows--imagin that, a capacity crowd, watching Performance Art!!)

If you get to self aware when doing yer thing, it'll just become fashion, and fashion doesn't last. It might be interesting for a time, but there is a reason the styles change with every season.

I think, if we all just kind of . . . "forget" about the outside, and really get into enjoying what we have here, and excited about adding to it, we could wind up with a really really awesome scene. And then watch it happen, people will flock. Bands will be dying to come play Phoenix, and dying to work with local acts, producers, ect.

I don't know why its so hard to get people out to shows. We've had great bands at our place (in my opinion) who've played to practically no one. Other times, we hit some weird lucky streak and everything goes right for a while. But the thing is, we try to just be into what we're doing and work with people who feel the same way. That, if it doesn't make it profitable all the time, at least makes it enjoyable. Its The Trunk Space community, and its part of the Grand Ave community, and its part of the Downtown community, and the Phoenix community, and--I hope--seen as part of the Tempe & Mesa, & Glendale, and wherever else community too. You either get it, or you don't.

I see this happen a lot: a bunch of people standing around who might want to go thru the door, and check out the band from CA (or MO, or AK, or NY), but they're all waiting for their friend to go first, and no one is taking a step because they're afraid of looking 'laime' or un-indie or un-punk, or whatever. Take a chance and get dirty, the band might be awesome, if we can all just unplug our ears and dig a little deeper into the risk-taking dirt it might make the scene stronger.

At the very least, it'll probably feel bigger because of all the people runing around flyers, luging gear, setting up sound systems, calling bands, hosting shows, posting events, selling merch, writing songs, finding places for the touring acts to sleep, buying CDs, recording LPs, organizing tours, opening venues, rehersing sets . . . there is no great festival that is going to turn Phoenix (AZ/whatever) into the next great place. There are just hundreds and hundreds of little things you can do.

At the very least, once in a while, just grab all your friends, show up, pay a couple of bucks, and enjoy the show.

Sincerely, JRC--The Trunk Space
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#51 Guest_aaronttp_*

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Posted 22 November 2005 - 06:17 PM

i agree with almost all of what you have said. we all think its a great place. my frustration is that if monday night football guy would take his wife to see sleepy time gorrilla museum, it would blow their minds. in a good way. ok, maybe not every monday night football guy, but definately afew. we (artists, musicians, and other forms of fuckups) love it, and know what it has to offer. my wish is that more "normal" people would take advantage. i dont think that we are such an enlightened group that "normal" people wouldnt get out of it the same thing that we all do. first fridays. every weekend. that would be pretty awesome.
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#52 JMG3

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Posted 22 November 2005 - 08:35 PM

i agree.
but most "normal" people don't read zines, don't hit up stinkweeds or eastside regularly, (or the shizz!) and basically have no clue when local shows are. the phx new times doesn't even print HALF of them in their "clubs" section. the az republic OCCASIONALLY will write about local music... but usually JEW or other bands that are already signed.
if "normal" folks were more informed of local music, i think more would show up. the most common response i get from folks is that they don't know where to go to see local music, nor where to find out more about it.
phoenix is also quite spread out, and lacks adequate public transportation, which only adds to the difficulty of finding "new" venues.
but i think local (and national) press can help (if they so choose), along with good old-fashioned word-of-mouth. first fridays is a perfect example of that. i've lived here all my life, and definitely think phoenix is improving.
the only difference i see between myself and "normal" people is that i'm a nerd, read zines, and hit up the record stores regularly, etc.. and thus stay more informed about shows, etc., but not quite so informed about the pigskin...
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#53 dharma_bum

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Posted 22 November 2005 - 09:35 PM

One thing I've figured out (and had to relearn over and over again) is that if you get self-conscious about the art you make (be it music, paintings, djing, or whatever) you'll start making bad art. Do it because you want, and because you believe in it. It might be cliche, but its the surest way to keep being vital and make strong work, you'll also be more invested and stay interested. Your dedication will also show, and hopefully excite people about what you're doing. (I know of what I speak, I used to perform & stage performance art around town, and my 'team' managed to have sell out crowds at more then 65% of our shows--imagin that, a capacity crowd, watching Performance Art!!)

I don't know why its so hard to get people out to shows. We've had great bands at our place (in my opinion) who've played to practically no one. Other times, we hit some weird lucky streak and everything goes right for a while. But the thing is, we try to just be into what we're doing and work with people who feel the same way. That, if it doesn't make it profitable all the time, at least makes it enjoyable. Its The Trunk Space community, and its part of the Grand Ave community, and its part of the Downtown community, and the Phoenix community, and--I hope--seen as part of the Tempe & Mesa, & Glendale, and wherever else community too. You either get it, or you don't.



amen to this!
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#54 ShawnPhase

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Posted 23 November 2005 - 04:16 AM

at least you guys dont have nothing dance parties and electro nights and more dance parties at ALL the clubs there like there is in baltimore.

thats prety much how it is too...maybe 35% shows, 65% dance nights...

but we have lots of free cigarette people and stuff around here, heh
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#55 donald

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Posted 23 November 2005 - 10:29 AM

When I was younger I hated it when the average Monday night footbal watcher came to my shows. All they want are things they know anyways so you get the drunkards who don't want to hear original stuff, all they want is AC/DC or whatever they recognize.

I am making a broad generalization of the average monday night football watcher, and I am sure there are some out there who would truly like watching sleepy time gorrill museum. But honestly, I think alot of them just wouldn't get it.


.............................because they aren't played on the radio or on MTV.
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#56 guitarduane

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Posted 23 November 2005 - 10:43 AM

sounds like the solution is to STOP promoting shows to ears that don't care and START teaching "monday night football guy" how to play an instrument. let's turn everyone in this town into musicians. this will increase the audience size. unfortunately, we will need several more venues.
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#57 Guest_johnMFer_*

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Posted 23 November 2005 - 10:47 AM

Monday night football is the best thing about Mondays and when football season ends, Mondays depress the fuck out of me. 16 weeks a year? That's it? What other excuse can I have to go to a bar and eat chicken wings on Monday night?
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#58 Guest_aaronttp_*

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Posted 23 November 2005 - 11:37 AM

how about npr girl? or borders books dude? or starbucks girl? or hot pink guy?
maybe monday noght football guy is a bit of a stretch.
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#59 donald

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Posted 23 November 2005 - 12:31 PM

npr girl is okay
;)
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#60 Guest_Donny_*

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Posted 23 November 2005 - 01:13 PM

at least you guys dont have nothing dance parties and electro nights and more dance parties at ALL the clubs there like there is in baltimore.

thats prety much how it is too...maybe 35% shows, 65% dance nights...

but we have lots of free cigarette people and stuff around here, heh

I don't know man ... I was gonna touch on this as the major problem with young people not going to rock shows. If you go to that club on McDowell around 15th Ave (can't remember the name ... Carumba's or something?) on a weekend, the place is PACKED with people. Nothing attracts a crowd like a crowd. They are blaring prerecorded dance music from a mega-watt system, mostly like Billy Idol, Franz Ferdinand, dancable stuff. In the '60s, teenagers and young people went to dances and parties and the music was live. Surf bands, pysch bands, pop bands, teenagers hung out and had a good time watching bands. Greg Sage told me that when he was a kid he saw the Strawberry Alarm Clock play at a Pizza joint. Original live music was ENTERTAINMENT back then, and now it is not. People like prerecorded music, people like blaring digital beats & hip-hop and the don't care for somehing new & different unless MTV or Spin magazine tells them its new & different. The other problem with the scene is that anyone over the age of 15 who can afford to buy a guitar & amp has a band these days, and they start playing shows very quickly. There are more musicians than listeners, and musicians tend to care more about their own band than anyone else's. I think the basic problem is the "normal" people are not motivated to see local shows.
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